Showing posts with label brian michael bendis. Show all posts
Showing posts with label brian michael bendis. Show all posts

Review: Alias Ultimate Collection #1 TPB

Collects: Alias #1-#15
Writer: Brian Michael Bendis
Pencillers: Michael Gaydos, Bill Sienkiewicz, Mark Bagley, David Mack

STORY
Jessica Jones used to be a super heroine but for some reason she turned her back on this life. Now she tries to earn her living as a private investigator under the banner of "Alias Investigations". But fate isn't through with her. In a new case she gets tangled into a conspiracy of national dimensions – involving none other than Captain America and US-president George Bush! She also has to deal with two cases of missing persons. First she has to find Hulk's old pal Rick Jones. Then she has to face anti-mutant prejudices during her search for a missing girl (and possible mutant) in a small rural town.

REVIEW
Some people obviously can't stand the guy but I just LOVE Brian Michael Bendis - okay, that came out wrong... What I meant to say is that I like his gritty, realistic approach to the super hero genre, especially in his earlier work. I would argue that "Alias" is his masterpiece.

The one thing that really makes this comic stand out is the character work. Jessica is a very engaging character. She is (for reasons we're not told yet) a very frustrated woman who tries to ease her pain with swearing, booze and men. She easily could come across as unlikeable, but in his excessive dialogues Bendis manages to convey that her hard exterior hides a heart of gold. You really become invested in her life, not least because her cases are fresh and engaging. Bendis cleverly uses A-, B- and C-list-characters of the Marvel universe. I especially liked the small character moments, for example Ms. Marvel as Jessics's BFF, Jessica's complicated relationship with Luke Cage or her date with Ant-Man. The entire characters act like real people in these situations.

The whole feeling of the series is very mature. No wonder: "Alias" was one of the first comics of Marvel's "MAX" imprint which focuses on R-rated titles. But that doesn't necessarily mean that you have to stand much unnecessary violence and pointless nudity. In fact there are quite a few sex scenes (one even heavily implies some backdoor action) but each one of them is a vital part of Jessica's character development. And it's the same case with the swearing: As I said, Jessica has quite the potty mouth – the very first word of the comic is "fuck". This, too, never seems forced. Jessica just doesn't mince matters.

Enough about the writing, let's talk about the art: I have to admit, I was at first a little turned off by Gaydos' pencils. Over the time it really grew on me – so much that nowadays Gaydos is one of my favorites and the definitive Jessica-Jones-artist. The keyword here is like in all the other aspects of "Alias" realism. Gaydos' people just look real – not as in "photo-realistic" but as in "authentic". When other artists draw Jessica, they tend to illustrate her as the typical comic babe with big tits and a perfect face. In "Alias" she is attractive despite some problem areas. I like her better this way.

One last word about this trade paperback: I really love these "Ultimate Collections" of Marvel (maybe not as much as I do Brian Michael Bendis ;-) ). You get 15 issues for a very reasonable price (for example just under 17 Euro at bookdepository.com). This is what I call "value for money"!

RATING: A

Review: Avengers Disassembled HC

Collects: Avengers #500-#503, Avengers Finale
Writer: Brian Michael Bendis
Pencillers: David Finch (Avengers #500-#503), Oliver Coipel (Avengers Finale)

STORY
Shit hits the fan at Avengers Mansion: Mysterious attacks decimate the world’s team of super heroes. Tony Stark (USA's current Secretary of Defence) goes nuts in front of the UN. She-Hulk fights her own allies. Somebody obviously messes with our friends. Somebody with the ability to bend reality. Somebody they know…

REVIEW
First of all, let me say this: This isn’t a very good comic. The story seems rushed, the art suffers from David-Finch-syndrome (all characters look exactly the same) and the end is one of this anticlimactic deus-ex-machina-moments. And yet I like it!

"But why", you ask? Because two years ago, when I was searching for an entry point into the Marvel universe, I found it in this comic event. This comic was supposed to be, as I would put it, some kind of "soft reboot". In 2004 many Marvel series were stagnating creatively. So the powers that be decided to infuse them with some fresh blood and provide the readers with a new, easy-to-understand status quo. The series with the greatest need for innovation certainly was "Avengers". For one of Marvel’s flagship titles were put on the back burner for far too long. The team was crowded with C-list characters nobody really cared about. So Bendis did the necessary thing: In just four issues he managed to throw all excess parts of the "Avengers" overboard and to set things up for more exciting stories to come.

But you have to break an egg to make an omelet. And to form a new "Avengers" team you have to disband the former. Naturally some heroes die in the course of this - in one case a fan favorite. Just as naturally, the fans were furious. This is understandable but I had the advantage of not having much of a relationship with most of these characters, so for me these deaths really served their purposes: to set the wheels in motion for the things to come. And boy, the pay-off was great: Many wonderful series and events (like "New Avengers", "Young Avengers" and "House Of M") spun out of this "Avengers Disassembled".

The plot itself was therefore no real issue for me - the execution was. This book is a typical example of the old Bauhaus-principle "form follows function". Bendis obviously knew where he wanted to go with this run, but didn't bother much about how to get there. There isn’t much suspense in this story. It is also very annoying that the Avengers themselves don't have to do much - except for being present. In the end all problems are solved by Dr. Strange - who isn’t even on the cover!
So, in the end this is what the open-minded reader gets: An okay-ish story with some okay-ish character moments, okay-ish action scenes and okay-ish art. But - as I said - it’s the perfect place to hop on the "Avengers" trains. And that’s a ride you don't want to miss.

RATING: C-